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Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Latimer argues that Grandison must be recognised as Richardson's final word on his re-envisioning of the gendered self. She calls for a rigorous rereading of the novel as a basis for reassessing Richardson's fictional oeuvre that has implications for fresh thinking about the eighteenth-century novel.
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What does the story of Robinson Crusoe have to do with understanding past and present women’s lives? The Female Crusoe: Hybridity, Trade and the Eighteenth-Century Individual investigates the possibility that Daniel Defoe’s famous work was informed by qualities attributed to trade, luxury and credit and described as feminine in the period. In this volume, Robinson Crusoe and the female castaway narratives published in its wake emerge as texts of social criticism that draw on neglected values of race and gender to challenge the dominant values of society. Such narratives worked to establish status and authority for marginalised characters and subjects who were as different, and as similar, as Defoe’s gentleman-tradesman and Wollstonecraft’s independent woman. The Female Crusoe goes on to address the twentieth-century engagement with the castaway tale, showing how three contemporary authors, in their complex and gendered negotiations of power and identity, echo, even while they challenge, the concerns of their eighteenth-century predecessors. This work will be of interest to students interested in literary engagements with individualism and women’s rights in the eighteenth and twentieth centuries.
Gender identity in literature. --- Defoe, Daniel, --- Robinson Crusoe (Defoe, Daniel)
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Characters --- Ophelia --- Gender identity in literature. --- Ophelia. --- Shakespeare, William.
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In this innovative work, Joanne D. Birdwhistell presents the first gender analysis of the Mencius, a central text in the Chinese philosophical tradition. Mencian philosophy, particularly its ideas about the processes by which a man could develop into a cultivated gentleman, was important to the political thought of China's long imperial order. Through close textual readings, Birdwhistell offers a new interpretation of core Mencian ideas about the heart and the self-cultivation of the great man. She argues that the concept of masculinity advocated by the Mencius is derived, although without acknowledgment, from maternal practices and thinking—through processes of appropriation, inversion, and transformation. She illustrates that even though maternal practices and thinking are an invisible dimension of Mencian thought, they are constantly present in the text through their transcoding with agricultural practices and thinking.
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Despite the confines of traditional notions of history and gender, Timberlake Wertenbaker uses her history plays to argue that history and gender should be reread to radically challenge these traditional notions. She uses her history plays to construct a new vision. This book discusses seven Timberlake plays from this new perspective of gender, focusing on how gender impacts history, showing the unstable power relations that exist between the sexes.
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As narrow, nationalist views of patriotic allegiance have become widespread and are routinely invoked to justify everything from flag-waving triumphalism to xenophobic bigotry, the concept of a nonnationalist patriotism has vanished from public conversation. Taking Liberties is a study of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights, respectful of ethnic and cultural diversity, and, overall, open-minded and inclusive. Moving beyond a traditional study of Polish dramatic litera
Polish drama --- Patriotism in literature. --- Gender identity in literature. --- Theater --- History and criticism. --- History. --- Patriotism in literature --- Gender identity in literature --- History and criticism --- History
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This book focuses on sex and sexuality in post-war novels from the Anglophone Caribbean. Countering the critical orthodoxy that literature from this period dealt with sex only tangentially, implicitly transmitting sexist or homophobic messages, the author instead highlights the range and diversity in its representations of sexual life. She draws on gender and sexuality studies, postcolonial theory and cultural history to provide new readings of seminal figures like Samuel Selvon and George Lamming whilst also calling attention to the work of innovative, lesser-studied authors such as Andrew Salkey, Oscar Dathorne and Rosa Guy.Offering a coherent and expansive overview of how post-war Caribbean novelists have treated the persistently controversial topic of sex, this book addresses one of the blind spots in Caribbean literary criticism. It mines a range of little-studied archival materials and texts to argue that fiction of the post-war era exhibits both continuities with the sexual emphases of earlier writing and connections to later trends. The author also presents nationalist ideology as central to the literature of this era. It is in the fictional rendering of sexuality that the contradictions of the nationalist project are most apparent; sex both exceeds and threatens the imagined unity on which the political vision depends.
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So much of great literature centers on explorations of gender, sex, and sexuality. What does it mean to be a proper man or woman; what if one cannot be properly called either? Should one wield one's sexual power politically? What is the relation between law, divine or secular, and sexuality? What does it mean to fail at doing gender? These are just some of the questions that this volume, edited by Margaret Breen, Professor of English and Women's, Gender, and Sexuality Studies at University of Connecticut, examines. Essays will consider a range of texts, including Aristophanes' Lysistrata, Murasaki Shikibu's Tale of Genji, John Milton's Paradise Lost, Tennessee Williams' Cat on a Hot Tin Roof, and Sharon Dennis Wyeth's Tomboy Trouble in light of issues of gender, sex, and sexuality, and their interplay.
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Die komparatistische Studie betrachtet den gynozentrischen Roman des 18. Jahrhunderts und den des 19. Jahrhunderts unter gemeinsamen Perspektiven. Zentral steht die Frage nach der Bedeutung der Geschlechtscharakter-Anthropologie für das 19. Jahrhundert. Anhand prominenter Texte der deutschen, englischen und französischen Romanliteratur, die als Verführungsromane weibliche Heldinnen in den Fokus stellen, wird der These einer Kollision von Verstand und Gefühl als spezifisch weibliches Dilemma nachgegangen. Frauen werden dem maßgeblichen Geschlechtscharakterdiskurs zufolge zwar einerseits als emotional definiert, das aktive Ausleben dieser und weiterer ,natürlich weiblicher' Dispositionen bleibt andererseits aber verpönt. Der Vergleich fiktionaler Entwürfe von Weiblichkeit mit normativen Idealen, wie sie zeitgenössische Erziehungsratgeber und Anstandslehren konzipieren, lässt Kontinuitäten und Diskontinuitäten des westeuropäischen Romans in seinen diskursgeschichtlichen Kontexten zutage treten.
European fiction --- Gender identity in literature. --- Heroines in literature. --- Emotions in literature. --- Heroines --- History and criticism.
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